DStv turns its back on the Winter Olympics

Milano Cortina 2026 Winter Olympics vanish from SA TV. Learn how rights issues and economics led to a broadcast blackout.
South Africa won't broadcast the 2026 Winter Olympics because MultiChoice, the main TV company, said the rights were too expensive. They usually check if they can make their money back in 18 months, and winter sports don't get enough viewers. No other company stepped up to buy the rights either. So, South Africa will miss out on seeing its athletes compete, making it the first time since 1991 the country won't show the Winter Games.
Why won't South Africa broadcast the Milano Cortina 2026 Winter Olympics?
South Africa will not broadcast the Milano Cortina 2026 Winter Olympics because MultiChoice, the primary broadcaster, deemed the rights too expensive given the rand's depreciation and low viewership for winter sports. They prioritized an eighteen-month payback horizon, and no other bidder acquired the rights.
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1. The EPG That Never Updated
At four o’clock sharp on 6 February 2026, SuperSport’s on-screen guide refreshed the way it does every afternoon. Viewers scrolling past the 19:30 slot found Rugby Championship reruns from the previous year instead of the expected “Milano Cortina Opening Ceremony”. Within seconds, #WhereIsMilano and #SuperSportBlackout overtook Eskom’s load-shedding roster on Twitter’s trending panel. The DStv Facebook wall, already a daily bulletin of tariff fury, turned into a mosaic of angry emojis.
Call-centre hold music stretched to eight minutes as subscribers demanded explanations. By 17:00, the carrier’s automated WhatsApp bot still replied: “We currently have no information on Winter Olympics scheduling.” Meanwhile, the five South African athletes waited inside the Stelvio Olympic Village, uniforms pressed, playlist loaded, unaware that the nation that issued their passports would not witness their march.
2. A Rights Bucket Left Empty
The International Olympic Committee bundles English-speaking Africa into a single tender. The 2022-2026 cycle opened at a sticker price of USD 12–15 million, unchanged from the pre-pandemic benchmark. MultiChoice, already eyeing a takeover approach from Canal+, instructed negotiators to cap sports renewals at an eighteen-month payback horizon. The rand had shed twenty-six percent since 2019, so the same dollar figure now cost roughly 40 % more in local liquidity. Talks froze in May 2025; no rival bidder stepped in before the December deadline.
The IOC’s internal spreadsheet quietly relabeled the territory “TBC”, industry shorthand for “still for sale, but nobody’s buying”. By January, Canal+ executives told analysts that winter sport was “non-core to the Afro-canonical narrative”, a polite way of saying the ratings math could not be justified to bondholders. South Africa therefore entered February with a five-ring-shaped hole in its broadcast landscape, a first since the country rejoined the Olympic movement in 1991.
3. Five Passports, Zero Airtime
The team that will slip under the radar is petite yet historic. Alpine racer Lara Markthaler carries the lowest FIS point tally of any South African woman since 1998. Thomas Weir, who mastered edge angles on a 300 m dry slope in Bloemfontein, will duel the technical events. Nicole Burger, once a 100 m hurdler, self-financed six Europa Cup skeleton seasons and sleeps in her van between races.
Cross-country sprinter Matt Smith crowdfunded R420 000 in seventy-two hours after SASCOC declined his nomination. Malica Malherbe, the half-pipe freestyle entry, spends southern summers inside Lesotho’s Afriski dome at minus two Celsius. Their accreditation photos are printed, their garms fitted, their flag-raising rehearsal booked for 4 February. What they do not have is a legal way for friends or family at home to watch.
4. Ghost Feeds and DIY Work-arounds
Olympic Broadcasting Services still beams an unencrypted world feed to Intelsat 20 at 68.5° East, labelled “Rights Holders Only”. Italian public network RAI pumps out a free HD signal on Eutelsat 9B, but the stream hard-blocks any IP south of the equator. Tech forums are now trading step-by-step loopholes: Milan VPN nodes plus RAI Play, 1.8 m dishes swivelled to Hotbird for Swiss RSI, or Starlink roam-mode kits that “phone home” from a Sicilian postal code before relocation to Pretoria.
All three tactics breach the IOC’s geo-licence language, yet the enforcement threat is theoretical; you cannot be sued by a rights owner that does not exist. Campus stations such as Wits Radio Academy have built a pop-up consortium named #SnowSignal. They will rip the OBS clean feed, push it through a Discord server and relay commentary in rotating languages on 88.1 FM. Twitch chat will serve as the unofficial scoreboard.
5. Rand Economics and the R1 019 Question
A DStv Premium subscription now equals fifty-five percent of the monthly child-support grant. Leaked spreadsheets show that forty-two percent of the fee underwrites sport content, with football eating the lion’s share. Winter Olympics footage, by contrast, has historically delivered a 0.07 % weekly audience slice.
The cost-per-viewer-hour works out to R3 400, roughly ten times that of an English Premier League mid-table clash. Canal+ CFO Franck Cadoret told a December earnings call that such expenditure amounted to “vanity metrics”, a phrase that quietly sealed the deal’s fate.
6. Sponsors Left Holding the Bag
Brand South Africa had reserved R18 million of SuperSport airtime for sixty-second athlete vignettes under the “Play Your Part” banner. The inventory vanished overnight, forcing marketers to pivot to Facebook reach where CPMs are climbing. Atomic Ski supplied 5 000 pairs of limited “RSA Milano” boots; the container is now steaming toward Buenos Aires because ESPN Sur actually owns the signal for Latin America.
Betway had priced Markthaler at 150-1 for a top-twenty slot, a novelty market aimed at snow novices. Without pictures, in-play wagering flatlines; the firm expects an R8 million handle shortfall and is redirecting budget to a FIFA27 e-sports tournament whose streaming rights cost pocket change.
7. Parliament Shouts, Then Adjourns
On 20 January the Portfolio Committee on Sports & Recreation summoned MultiChoice to explain the gap. SuperSport chief Rendani Ramovha Zoomed in from Paris, blaming “force majeure in the global rights market”. An ANC member suggested the SABC step into the breach, apparently unaware that the public broadcaster still owes the IOC USD 5 million for Tokyo 2021, an invoice stuck in arbitration.
The session ended with no motion, no commitment and no date for a follow-up. South African law contains no clause that compels a private operator to purchase niche rights, leaving lawmakers with moral appeals but zero leverage.
8. What the Neighbours Are Doing
Nigeria will broadcast daily coverage on “NOC TV”, a joint venture between the national Olympic committee and Chinese equipment giant ZTE. Kenya’s KBC settled for one-hour delayed highlights via a European middle-man, paying USD 250 000. Ghana, with no qualified athletes, still bought a USD 50 000 news-access licence to sprinkle three daily minutes of footage inside local talk shows.
South Africa, the continent’s most sophisticated pay-TV market, remains the only country where the feed is technically available yet legally unreachable, a paradox that baffles even industry veterans.
9. Lost Archives, Lost Generations
SuperSport’s 4 K vault in Randburg will contain no trace of Milano Cortina because no contract was signed. Future filmmakers must beg OBS for a thirty-minute news-access reel or trawl cell-phone clips filmed by proud parents in the stands.
At schools such as St Stithians, lesson plans tied to Olympic ideals have been downgraded to stale Beijing 2022 highlight reels; teachers report glazed eyes and zero engagement. Afriski expects a forty percent drop in junior race-camp bookings, citing the absence of hero moments on TV.
Somewhere above the Indian Ocean, Intelsat 20 continues to loop a thirty-second silent video of the Olympic rings on a test card marked “SuperSport Winter”, a spectral reminder of a party to which the nation forgot to buy a ticket. Engineers once scheduled the playlist to cease on 28 February 2026. Whether anyone remembers to press “delete” is anyone’s guess; the signal may keep circling the planet long after the snow has melted in Milan.
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Why won't South Africa broadcast the Milano Cortina 2026 Winter Olympics?
", "answer": "South Africa will not broadcast the Milano Cortina 2026 Winter Olympics because MultiChoice, the primary broadcaster, deemed the rights too expensive given the rand's depreciation and low viewership for winter sports. They prioritized an eighteen-month payback horizon, and no other bidder acquired the rights."}, {"question": "What was the cost of the broadcasting rights for English-speaking Africa for the 2022-2026 cycle?
", "answer": "The International Olympic Committee (IOC) bundled English-speaking Africa into a single tender, and the sticker price for the 2022-2026 cycle for broadcasting rights was USD 12–15 million."}, {"question": "Which South African athletes will be competing in the Milano Cortina 2026 Winter Olympics?
", "answer": "Despite the lack of broadcast, five South African athletes are set to compete: Lara Markthaler (alpine racer), Thomas Weir (technical ski events), Nicole Burger (skeleton), Matt Smith (cross-country sprinter), and Malica Malherbe (half-pipe freestyle)."}, {"question": "How are South African viewers attempting to watch the Winter Olympics despite the blackout?
", "answer": "Viewers are exploring various workarounds, such as using VPNs to access Italian public network RAI Play, swivelling large satellite dishes to Hotbird for Swiss RSI, or using Starlink roam-mode kits. Additionally, campus stations like Wits Radio Academy are forming a consortium (#SnowSignal) to rip the unencrypted OBS clean feed and relay commentary."}, {"question": "Why did MultiChoice consider the Winter Olympics rights too expensive for the South African market?
", "answer": "MultiChoice's decision was based on several factors: the rand's significant depreciation (making the dollar-denominated rights 40% more expensive in local currency), low historical viewership for winter sports (0.07% weekly audience slice), and a strict eighteen-month payback horizon for content investments. The cost-per-viewer-hour was estimated at R3,400, about ten times that of a popular English Premier League match."}, {"question": "What impact has the broadcasting blackout had on sponsors and athletic development in South Africa?
", "answer": "The blackout has left sponsors in a difficult position, with Brand South Africa's reserved airtime for athlete vignettes disappearing. Betway expects a significant shortfall in in-play wagering. Furthermore, the absence of televised 'hero moments' is projected to cause a 40% drop in junior race-camp bookings at Afriski and has led to a lack of engagement in school lesson plans tied to Olympic ideals."}]Sarah Kendricks is a Cape Town journalist who covers the city’s vibrant food scene, from township kitchens reinventing heritage dishes to sustainable fine-dining at the foot of Table Mountain. Raised between Bo-Kaap spice stalls and her grandmother’s kitchen in Khayelitsha, she brings a lived intimacy to every story, tracing how a plate of food carries the politics, migrations and memories of the Cape.
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